I love 1-2-1 mentoring, but I also miss working with a group. Now that I’ve settled into my “other” job, I feel it’s time to start a new photography course.

For a number of years I’ve been running online courses for photographers from all over the world, focusing mainly on composition, technique, Photoshop, and Photography Criticism. Now I want to take things up a notch with my new course.

Photographies 

Is a unique 3 month course that will change how you consume, discuss, understand and ultimately create photography. It will take on the, familiar to some, format of 5 assignments and 6 online webinars where all students come together in a virtual classroom where we’ll spend the evening discussing your work, and that of your fellow students. It’s a format that’s proven to work exceptionally well, as the scope of learning is increased with new perspectives and opinions as they are introduced to the discussions, over and above that of my own.

Content

As with all my courses, content is “open-ended”. And this is especially true of Photographies. Set out below is an idea of what we will be tackling during the 3 months, but be open to surprises beyond what’s listed.

  • Looking at Photographs
  • Interpreting and Evaluating Photographs
  • The Single Image
  • The Series
  • Instagram
  • Photography as Communication
  • Shooting with Film
  • Learning to “See” Photographically
  • Image Design
  • and I expect a whole lot more !

The entire course is online so you can participate from anywhere in the world. I’ll provide free web-conferencing software so all you’ll need is the following :

  • A digital camera
  • A phone that takes pictures
  • A 35mm film camera/or access to someone that can lend you one
  • A computer
  • A set of headphones
  • An hour or so free every other Sunday to attend the online webinar
  • A desire to deepen your relationship with photography

Photographies will start 28 May, 2017 with our first webinar, at 19.30 UK Time. We will then meet every fortnight up until the last webinar 6th August, 2017 at 19.30 UK Time.

Photographies is priced at £150 per person, and limited to 6 places. To reserve yours simply click below. Or drop me an email/comment below if you have questions.




Just because I’m writing for a 2nd time in as many days doesn’t mean it’s always going to be like this. I just feel the need to hit the road running, for myself at least, I need to find a rhythm. Plus, I want to address an email that I received as a response to my post.

The email simply asked what advice I would give to new photographers. Seems such an innocent question, but one that has kept me up all night thinking as to what my answer would be.

The most common challenge that I see new photographers experiencing, has to be the lack of sharpness in their images. (I know, I know, I didn’t want this to be a technical space but it’s important to get this one out of the way as it will make an enormous difference to some, and allow me to talk about a few other bits at the same time). Now before we get to the solution, let’s understand the problem. Sharpness comes in many different flavours so I need to make the clear distinction between pixel sharpness and camera shake. We’re talking to the latter, images that are slightly “off” as opposed to the unhealthy desire to make your viewers eyes bleed when they look at your work. Another reason to avoid 500px me thinks.

Camera shake is caused by movement, so we need to stop the movement. How ? By shooting differently. There’s a common misconception that in order to be a “professional photographer (whatever that is nowadays), you have to be shooting in manual. It’s what all new students say to me, “so and so told me that all the pro’s shoot in manual”, and that “no one will take you seriously unless you shoot in manual”.

Nope, nope, nope. I know tons of recognised and respected photographers from all over the world and none of them shoot in manual. They all shoot in aperture priority*, why ? Because the most important bit is the photograph. When was the last time someone looked at your work and said, “Hey, looks like you used manual settings on that one. Nice job.” ….. no one, and no one ever will (apart from other photographers on Facebook of course). The most important part is what is in the frame and what it does to the viewer, not what settings you used. Shooting in manual for newcomers is one of the biggest reasons for “off focus” images.

*Apart from when a pre-determined look is required, or when flash is being used.

Another myth that hinders sharp images is that we should all be shooting at ISO100 or thereabouts. Learning to photograph from Ansel Adams is great, but cameras and especially sensors have come a long way since his 6-1/2 x 8-1/2 glass plate camera. They are capable of far more than we give them credit for, digital noise is really not a problem in 2017. Yes, I’m talking to the majority not the minority for this post, sorry film shooters.

So taking all this into account, what am I suggesting ?

I’ll give you a starting point, to be used in daylight, that can be tweaked slightly according to the lighting/creative situation, but one that will definitely improve images for the majority of shooters.

  1. Shoot in aperture priority.
  2. Shoot ISO1000 (Crop sensor), or ISO1600 (Full Frame).
  3. F8.

By increasing your ISO, your camera will understand that you have chosen to let more light into the image. In order to compensate and give you a good exposure, it will give you a high shutter speed which in turn will alleviate any movement. Meaning you get sharp images, every time.

Spend more time thinking about what you’re leaving inside the frame, not fumbling around for camera settings. Try it for a while, and let me know how you get on.

 

That’s enough from me for today, I know I haven’t even begun to answer the email, but it’s a start. I’m finding that rhythm 🙂 Don’t forget to subscribe folks !

It’s been a year since I sat here looking at a blank screen wondering what on earth I’m going to write. That feeling of being overwhelmed by the potential success, or failure, of the words to follow has returned, familiar as ever.

But as uncomfortable as this is, the desire to create is even greater.

Readers of old, will remember my relationship with the photographic community has always been somewhat fragile, and I don’t expect that to change. I put it down to passion, and my aspirations of taking with me just a few that will really make something of themselves, and more importantly, their photography. Which means I’m not writing for everyone, just those that are listening.

I want this space to be used to explore photographs, and ultimately, figure out how to make better work. I’ll be talking about many things, but especially visual language, photography as communication, how to read, understand and appreciate photographs using critical analysis, a skill most valuable in times of mass photo exchange. I expect I’ll dwell extensively on process, especially analogue, which I’m shooting exclusively nowadays. (Except for my iPhone Instagram shots of course).

Underpinning everything will be something I’m totally hooked on teaching, “how to see …. photographically”, and how to find beauty in the mundane. Photography isn’t limited to the obvious or the exotic, it’s richer than that, and I hope to be able to show you this as the blog moves forward.

Interviews, there will be plenty of them. I always enjoy hearing and discussing how others work. In short, it’s a huge conversation about photography.

I’ll be linking this space with my Twitter and Instagram accounts so if you want to find out when new posts are available, you’ll need to follow me. Or just hit the subscribe button and I’ll send them to your inbox.

So this was really an intro post, to tell you what’s ahead, but I do feel I need to offer you something to grab hold of, so here’s a short film that should whet your appetite a little.